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DEPOSING MARAVILLA

BY Springs Toledo ON April 26, 2012
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Deposed-KingMaySergio "Maravilla" Martinez is the middleweight king. Five other so-called champions sit on waiting room chairs in the offices of alphabet organizations —he sits on a throne. By defeating Kelly Pavlik, who defeated Jermain Taylor, who defeated Bernard Hopkins, who became king the moment he defeated the second-ranked Felix Trinidad, Martinez became the rightful successor to the alpha idol of his country, Carlos Monzon.

Martinez is a rare phenomenon, a fugitive from other sports. A natural athlete blessed with extraordinary coordination, speed, and stamina, he spent his teenage years cycling and playing soccer. Boxing was "like a religion" in the Martinez living room though its gods were small ones —images flashing to and fro on a television screen, cheered on by his father and uncles. Sergio preferred being outdoors. He was 20 when he began boxing and even then it was a means to another end: He wanted to get into shape for the soccer season. But there was something seductive in the staccato rhythm of speed bags and by the time he was offered a contract to play for Argentina's Club Atletico's Los Andes, a first division team, he turned it down. He had found a new love.

Whether his new love would love him was another question.

The ring is a jealous place and the gods that guard it are larger than they appear on television. Athletes from easier sports (and they're all easier) are discouraged from it; sometimes they're bluntly reminded of how limited their physicality and muscle memory is when it comes to fist-fighting for 30 minutes. At a news conference announcing a possible bout between Muhammad Ali and seven-foot Los Angeles Laker Wilt Chamberlain in 1971, Ali walked in and began yelling "TIMBERRR!" In a moment of seriousness, Ali looked at Chamberlain with dead eyes and said "if he was smart, he wouldn't fight me." Chamberlain was smart and didn't fight him.

Martinez was unfamiliar with even using his hands when he ventured into the tiniest of fields where there is no escape, no time-outs, and no teammates to pass the ball to. As a cyclist he could cruise past trees on the road to catch a second wind but how do you adjust to a tree that actively tries to give you a concussion? Boxing burns more energy than cycling, soccer, and nearly every other human activity imaginable and yet it isn't conditioning that brings victory so much as advanced technique. And those classes begin during childhood.

Boxing grins a bloody grin at late entries who skipped classes and think that athleticism is enough.

Rocky Marciano grinned a bloody grin right back. A natural athlete blessed with extraordinary strength, power, and endurance, he spent his teenage years playing baseball for the local American Legion team and as a catcher did enough squats behind home plate to develop thighs bigger than Beyoncѐ's. By the time he had his first amateur fight of record he was 22 and he embarrassed every Italian in Brockton when he brought up a knee against a black opponent at an Irish social club. In the spring of 1948, he still had balls on his mind. He hitchhiked to North Carolina to try out for the Chicago Cubs farm team. They turned him down. Trainer Charley Goldman didn't lay eyes on him until he was 24. "I got a guy who's short, stoop shouldered, balding, with two left feet," Goldman told Angelo Dundee, "and God, how he can punch!" But there was a problem. Marciano was getting beaned too much and his orthodox aspirations were to blame —he was trying to be a stand-up boxer. So Goldman taught him to be true to himself. He taught him to crouch. Heavyweight history swerved at that moment.

Martinez grins a grin that is seldom bloody. He moves around the ring on wheels with soccer stamina. "My defense," he says, "is not in my arms, it's in my legs." Everything is in his legs. When boxing replaced soccer in his life, he spent about as much time reconfiguring his athleticism as Goldman did convincing Marciano to stop trying.

The middleweight king, a southpaw, has defended his throne four times and no challenger has finished the fight. Nine times they prostrated themselves before him; two did for ten seconds plus. What separates Martinez from his rivals in the ring isn't athleticism; it is the same thing that separates rivals on battlefields and chess boards. His victories are the premeditated results of closed-door planning that see him concentrating on images flashing to and fro on a television screen. He isn't cheering.

"Good luck!" he routinely tells his opponents before the first bell.

It will take more than luck to end his reign.

HALF THE BATTLE

Martinez is an atypical counterpuncher with a mission statement: Provoke blows to provoke mistakes. "When we want to throw," he says, "that's when we are most exposed." When he leads with a single punch it is no different from when he flinches, feints with his feet, or drops his hands and leans forward. He'll slide in, jerk a shoulder and slide out to draw you out so he can counter (what you think is) your counter attack.

This bluff and blast strategy is general. He insists that "it can be done with all."

He was born three years after the death of the once-famous trainer Jack Hurley and his timing only serves to confuse the truth once again. The truth is Martinez is a Hurley fighter. "You can tell a Hurley fighter from the others as easily as an art expert can tell a Rembrandt from something by Harry Grunt," wrote W.C. Heinz in 1967, they "come out with that shuffle step, the hands low and in punching position, and they just invite you to lead so that can move off it, step in and knock your block off with the counter."

"The average counterpuncher is a guy who don't do a damn thing," Hurley said. "If you throw a punch he ducks it and he hits you quick." Hurley raised the counterpunching game from checkers to chess. Martinez adds his own nuances. Half the time he knows what shot will be thrown because it is precisely what he invited in the first place. The end result is that the shot misses by an inch and he lands a simultaneous counter, reducing his reaction-time to nearly zero. What commentators are hailing as incredible speed has as much to do with planning and timing. What looks like natural power is really a product of a collision between his fist and the incoming face —what Hurley identified as "the difference between a push punch and a shock punch."

And he has a secret that no one has figured out yet: He kills jabs. The jab is the evolutionary leap that separates boxers from flailing brutes and enables the former to routinely dominate the latter —literally single-handedly. Martinez invites the jab and then sneaks over a looping right with it. He uses two counters besides. In the second round against Matthew Macklin, he timed Macklin's jab, slipped outside of it, and countered with a straight left that sent him flying into the ropes. Later, Martinez slid to his left off of Macklin's jab and countered it with a left uppercut. He does this so well no one's sure he's doing it, least of all the one it's being done to. He does it again and again, against everybody, and yet they keep right on jabbing, faithfully, to the end.

Martinez's offense is not bait for his counters every time. He's liable to attack the moment he senses an opponent getting set to punch or when the opponent is not expecting it. This is not only disruptive it is disheartening. Like Manny Pacquiao, Joe Calzaghe, and other discordant rhythm fighters, Martinez understands the human tendency to follow predictable patterns (move, set, punch 1, 2 —repeat.) and he anticipates and exploits that predictability. His is a jazz style with riffs as disorienting to his opponents as Miles Davis was to Percy Faith.

The Maravilla strategy becomes clear. His is the comprehensive counterattack of an athlete. He doesn't simply "duck and counter," he's constantly provoking offense to his advantage and using mobility and discordant rhythm to confuse.

It's all quite complicated, but the Sweet Science has answers.

COUNTERING THE COUNTERPUNCHER

Cautious trainers spot counters and tell their fighters to stop throwing the shot that is getting countered. These types, said Hurley, "breed fear" and produce boxers that stink joints out. Nobody gets hit, nobody gets hurt, and nobody in the audience cares to see what Hurley called "two old women fighting over the back fence." Hard-line trainers recommend crowding a counterpuncher. The idea is to swamp him. Paul Williams tried this on Martinez. It didn't work. Martinez is more eager to fight than his style suggests, he just isn't eager to lead. In the eighth round against Kermit Cintron, the fifth round against Pavlik, and the second round against Macklin, he hollered at them to throw punches. He thrives on aggression —careless aggression.

Defeating him demands calculated aggression —calculated aggression and double bluffs.

Martinez kills jabs? He kills unthinking jabs. Instead of being safe and throwing less of them, throw more. He'll respond as he usually does and you can get the jump on him. How? Two ways:

1. Telegraph a jab and then, shifting your weight onto the back foot, spring in with a straight right, dipping left as you do. His counter should miss and you can catch him leaning in (see figure 1).

Sergio Martines
Figure 1

 

 

 

 

 

 

 

 

2. Throw the jab half-way, hooking off it as you pivot off to your left (see figure 2). Martinez often slips outside jabs to his right as he counters with a straight left. Pivoting will enable you to slip his left counter; hooking as you do will enable you to catch his head sliding into your hook. Punctuate it with a right hand because if your hook lands, it will force his head into the range of your right.

Sergio Martines
Figure 2

 

 

 

 

 

 

 

 

 

Mobile boxers can use a touch-go tactic. Touch Martinez on a shoulder to draw him out, step back off the perimeter as he comes in, and then counter his counter. Do it enough and he'll lose faith in his favorite strategy and throw caution to the wind. Meanwhile, your resurrected jab will stabilize him.

Leftward Bound

The Maravilla strategy begins and ends with his legs. He fights on a slide and uses angles to keep you in and him out of danger. Don't be fooled. He's not trying to avoid exchanges so much as he's trying to confuse you, command space, and invite, evade, and counter your attack.

He moves like a ring general but doesn't always operate like one. At times, Martinez mistakes the ring for a field and his constant mobility lacks clear purpose. This tendency is called "dynamism" in chess and favors active over efficient movement.

Favor efficiency over activity. You the conventional boxer should move consistently leftward. This will line up your back heel with his chin, which will maximize the impact of your right hand. Everything you do should be leftward: When you jab, slide left. When you throw a left hook, pivot left off of it. This will get you to the southpaw's blind angle and out of range of his power. When you throw a combination, finish "on your left" —which means finish with either a left hook or a jab. The natural mechanics of that will put you in the ready position. Finishing "on your right," by contrast, leaves you off balance and open enough for him to blast you with a shock punch.

Trip the Errant Bishop

Maintain the positional advantage and you will reset the match on your terms. Maravilla admits that his "placements are a bit strange"; sometimes they're just plain wrong. A boxer's feet should be parallel and pointing at 45 degrees toward the target. Martinez's left foot is often lined up or crossed behind his right foot. This forces him to twist his torso when he throws a straight left, which means it will often be short and he'll be off balance. He is also known to move in the wrong direction against right-handers, effectively conceding them an advantage by keeping his right foot inside instead of outside of their left foot. Bad positioning accounts for almost all of his knockdowns.

There are at least four ways to exploit this:

1. With your lead foot outside of his lead foot, move forward angling left. Your legs will form a blockade and can cause him to trip when he tries to skitter backwards.

2. Conventional fighters should avoid throwing right hooks because they arc from further back and take too long to reach the target. In this case they're recommended. A right hook to his chest can have the same effect as pushing a man standing flush in front of you (see figure 3).

Sergio Martines
Figure 3


 

 

 

 

 

 

 

 

3. "Reach parry" his jab with your lead hand at the forearm or elbow and put your weight into it. Striking his extended arm while he's in his typical linear stance can cause him to cross his feet and lose his balance.

4. Martinez becomes more aggressive when he's hit well and in later rounds if he's behind on points. When he grits his teeth, he makes mistakes. He's prone to make a mad rush and leap off his feet. When he does, assume a tight formation with knees bent and chin and elbows tucked in and either shoulder-bump off balance or meet him with short, hard punches that finish on the left. If he's forced backwards, follow him behind combinations.

.....

The Maravilla style, rooted though it is in the less disciplined foundation of athleticism, is the perfect complement for the Maravilla strategy. That strategy is nuanced but it isn't new, and when it is overcome —when the middleweight king is toppled from his throne— luck will have nothing to do with it.

The Sweet Science has answers. It always has.

 

 

 

_________________________________________________________________________________

The opening graphic is "Deposed King" by Anthony May (http://www.anthonymayphotography.com). It is used with permission. Martinez's statements regarding his late entry into the ring as told to Robert Ecksel in "The Art of Boxing and Sergio Martinez" (Boxing.com, 8/15/11). Martinez's statements about strategy from ESPN's "Golpe a Golpe," generously translated by Eduardo Segura. Jack Hurley's quotes from Jack Olson's Sports Illustrated article "Don't Call Me Honest" (5/15/61) and W.C. Heinz's "The Last Campaign of Boxing's Last Angry Man" in the Saturday Evening Post (2/11/67). Special thanks to the memory and the memories of Stillman's Gym alumnus John Bonner, Julie Cockerham, and Eddie Bishop of Bishop's Training & Fitness in West Bridgewater, MA for use of his boxing ring for demonstration photographs. Coach Hilario of Think1stBoxing.com offered invaluable technical input for this essay.

Springs Toledo can be contacted at scalinatella@hotmail.com.

Comment on this article

deepwater says:

very good article. nice to see a gameplan on how to beat sergio. boxing coach milton lecroix of the nyc supreme team teaches this style. its hands down style where you move around alot.ideally you should be a converted southpaw with your power hand in the front.I was part of the team and we were kicked out of all nyc gyms after we embarased their fighters because we knocked them silly and stood right in front of them with our hands down. Milton will teach you the footwork method using the de,da,da-dant rythem. its a beautiful style and hard to figure out but this article hit most of it right on the head. sergio is good but his style is nothing new. Coach Milton is training fighters down in fort lauderdale, you tube some of his work and you will see 9 year olds fighting very similar to sergio martinez only crisper.

Radam G says:

Niece, well put-together piece. But Sergio Martinez is nowhere in the neighborhood of a million life times close to the league of the late, slickest slick hands down kicker arser Jack Hurley. My prediction is that the super hyped-up SM will be bumrushed by the first warm body of a young, good, fighter sooner before later.

Later for me -- for the time being -- about the latest, greatest hyped-up _____! Holla!

MisterLee says:

Beautiful article! *sheds tear

MisterLee says:

Yeah, FINALLY, someone who thinks that Marvavilla is NOT just about athleticism (ie- Roy Jones) besides me and a few pple. Maravilla got skills, and he's sharp! And smart! Toledo boma ye!!!

Boudicca says:

Toledo demonstrates again an unrivaled acumen, preparing a technical feast for Martinez supporters and detractors alike. It seems a hard style to solve, but Toledo has approached it with wit and flair, breaking it down into a simpler methodology, extracting the science from the art. Maravilla's craft may be characterized by a discordant rhythm, but there is none of it present in the work of Toledo. His craft with words is endlessly entertaining, as smooth and steady as the ticks of a metronome.

dino da vinci says:

Toledo demonstrates again an unrivaled acumen, preparing a technical feast for Martinez supporters and detractors alike. It seems a hard style to solve, but Toledo has approached it with wit and flair, breaking it down into a simpler methodology, extracting the science from the art. Maravilla's craft may be characterized by a discordant rhythm, but there is none of it present in the work of Toledo. His craft with words is endlessly entertaining, as smooth and steady as the ticks of a metronome.



Just great. I was about to use my pendulum analogy, when a newcomer trumps me with metronome. Why, forum gods, why?

Oraclem says:

Sergio Martinez is akin to a fil noir which is critically acclaimed but commercially disclaimed. He can paint the most riveting pugilistic opus of today but still remain a trump card of the cognoscenti. He can be a seed that will someday fade in his kernel. How can he elevate his budding status by fighting not the "who's who" of pugilism but THE WHO? I'm not speaking of the great band. He should gather his marbles, surmount his pride, deviate from his rationality and challenge the godsend, that is, ANDRE WARD. By assailing the order of things, he can then be commercially adopted from his critical adopters.

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